舜庐·水上人家

Shun Lu·People on the water

世无真隐者，画有古桃源

我们延续舜庐一期江南民居建筑形态与地理环境，结合“庐”字的精神风骨，由“庐”字生成庐落/庐舍/庐隐/庐居/等空间精神的贯穿。将“隐世”哲学思想运用于整个空间格局中，以自然色系，烘托质朴与低调奢美的气场，通过玻璃窗营造明朗通透的视角。以低调的设计手法，彰显虚白的简约之道。演绎出烟雨江南的禅意美学。

The world has no true hidden people, painting ancient peach land

We continue the architectural form and geographical environment of the residential buildings in South Of The Yangtze River in the first phase of Shunlu, and combine the spirit of "Lu" with the spirit of "lu" to generate the spirit of "lu"/" lu "/" lu "/" lu "/" lu ". The philosophy of "hidden world" is applied to the whole space pattern, and natural colors are used to set off the rustic and low-key luxurious atmosphere, and a clear and transparent perspective is created through the glass window. In order to low-key design, highlight the simple way of empty white. Deduce misty rain Jiangnan zen aesthetics.